A tendency to see objects and patterns as three-dimensional when certain visual cues are present.

People have evolved to see things as three-dimensional whenever possible — even when things are clearly not three-dimensional. The following visual cues are commonly used to encourage the perception of three-dimensional relationships:


Interposition

When two overlapping objects are presented, the overlapped object is perceived to be farther away than the overlapping object.

Size

When two similar objects of different size are presented together, the smaller object is perceived to be farther away than the larger object. The size of familiar objects can also be used to indicate the size and depth of unfamiliar objects.

Elevation

When two objects are presented at different vertical locations, the object at the higher elevation is perceived to be farther away.2

Linear

Perspective When two vertical lines converge near their top ends, the converging ends of the lines are perceived to be farther away than the diverging ends.

Texture Gradient

When the texture of a surface varies in density, the areas of greater density are perceived to be farther away than areas of lesser density.

Shading

When an object has shading or shadows, the shaded areas are perceived to be the farthest away from the light source and the light areas are interpreted as being closest to the light source.

Atmospheric

Perspective When multiple objects are presented together, the objects that are bluer and blurrier are perceived to be farther away than the objects that are less blue and blurry.

 

Consider these visual cues in the depiction of three-dimensional elements and environments. Strongest depth effects are achieved when the visual cues are used in combination; therefore, use as many of the cues as possible to achieve the strongest effect, making sure that the cues are appropriate for the context.

See also Figure-Ground Relationship and Top-Down Lighting Bias.

Video games make ample use of three-dimensional projection to represent three-dimensional environments on two-dimensional screens. For example, the game Black & White uses three-dimensional projection to create a believable and navigable three-dimensional world. All of the depth cues are demonstrated in these screenshots from the game.

References & Further Readings About Three-Dimensional Projection

  1. Three-Dimensional Projection Display System

    In this chapter, a current state of the art of 3D projection displays will be addressed. This begins with a review on conventional and three-dimensional projection display systems. And, some discussions on stereoscopic projection displays such as the...

    link.springer.com

  2. Projection-type see-through holographic three-dimensional display

    Owing to the limited spatio-temporal resolution of display devices, dynamic holographic three-dimensional displays suffer from a critical trade-off between the display size and the visual angle. Here we show a projection-type holographic three-dimensional display, in which a digitally designed holographic optical element and a digital holographic projection technique are combined to increase both factors at the same time. In the experiment, the enlarged holographic image, which is twice as large as the original display device, projected on the screen of the digitally designed holographic optical element was concentrated at the target observation area so as to increase the visual angle, which is six times as large as that for a general holographic display. Because the display size and the visual angle can be designed independently, the proposed system will accelerate the adoption of holographic three-dimensional displays in industrial applications, such as digital signage, in-car head-up displays, smart-glasses and head-mounted displays. The design of holographic displays usually involves a trade-off between size and viewing angle. Here, the authors combine holographic projection with a digitally designed holographic optical element so that display size and the visual angle can be designed independently.

    www.nature.com

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